Aboriginal, Art, australia, inspiration, Bay Gallery Home, Made in the UK, NEWS, wallpaper, Visual Language

Ambientes Magazine in Chile features 'My Country' Wallpaper

It's wonderful to have our 'My Country' Aboriginal wallpaper featured in magazines in countries as far flung as Chile.  The Aboriginal spirit and aesthetic is something people from all over the world can connect with as it harks back to the very essence of humanity and creation. Add design with origin to your home by ordering from our online shop.

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ambientes magazine chile  page 54 Issue 117 2017

Aboriginal, NEWS, WIN Award, wallpaper

Roof Magazine - Portugal

Following our World Interiors News Award Roof Magazine (Portugal) featured us in their publication.  It is a real privilege to be have the My Country, particularly our Bush Onion 1 tile in a country who we admire so much for their beautiful tiles - they've been a real inspiration for Bay Gallery Home.

Show Off section of ROOF 8 and In and Outside magazine

Show Off section of ROOF 8 and In and Outside magazine

NEWS, Silk scarfs, giftware, inspiration

New homeware and gift ideas have arrived!

Alma Nungarrayi Granites silk scarf with beautiful gift box £60

Alma Nungarrayi Granites silk scarf with beautiful gift box £60

Bay Gallery Home has exciting new products we've added to our homeware and gift range including scarfs, hand moisturisers and new editions to our stunning, colourful fine bone china range.  

We are situated in Tetbury, the Cotswolds.  Tetbury is an ancient royal town with many beautiful independent shops.  Prince Charles lives down the road so you may bump into royalty!  We are also very close to Bath and Bristol.  If you're coming from London you come off the M4 at Junction 17.

If you can't make it the Bay Gallery Home in Tetbury you can always make your purchases online.

 

 

Murdie Nampijinpa Morris Macadamia & Goats Milk Handcream, £18

Murdie Nampijinpa Morris Macadamia & Goats Milk Handcream, £18

Otto Jungarrayi Sims fine bone china canister great for teabags, biscuits, pasta - anything you can think of really, £40

Otto Jungarrayi Sims fine bone china canister great for teabags, biscuits, pasta - anything you can think of really, £40

NEWS, Interior Design, Art, australia

Period Living Cotswold Kitchen feature - May edition

Two of our beautiful Aboriginal paintings featured in the May edition of Period Living.

Please get in touch if you would like advice on Aboriginal paintings to suit the colour scheme and style for any room in your house.  As you can see the Aboriginal paintings blend well in contemporary interiors within old Cotswold cottages bringing an ancient culture into your home.

Aboriginal, Art, Bay Gallery Home, Interior Design, australia, Made in the UK, My Country, NEWS, wallpaper, tile, Visual Language

Nonagon.Style: Translating Australian Aboriginal Art Into Interior Design

Lilly Kemarre Morton with her 'My Country' wallpaper sample and catalogue.

Father's Day weekend special exhibition 17 - 18 June 2017

Bay Gallery Home is holding a special exhibition for father's over the Father's Day weekend to offering father's a glass of wine or coffee while visiting the gallery on Saturday or Sunday.

Aboriginal Father's teach their children the many skills needed to survive in the harsh Australian outback environment.  They are instrumental in teaching their sons how to hunt and share their wood fashioning expertise to make spears, boomerangs and shields from the incredibly strong Mulga tree found throughout the desert and depicted in many of our paintings.  (we will have examples of these on display) The Father's also teach their young boys and men the Dreamtime stories through secret ceremonies and initiations some of which can take months to complete.  This repetition of the Dreamtime through ceremonial dances and song is essential to the preservation of their culture including the deep knowledge they have of the land, animals flora and fauna.

We wish you all a Happy Father's Day.  

A fantastic new painting currently being stretched ready for our Father's Day exhibition.

A fantastic new painting currently being stretched ready for our Father's Day exhibition.

Saturday 3 June

During our time in London we were nearly caught up in the horrific attack at London Bridge.  A dear friend of ours lives there and we were on the way to see him.  He's been unable to leave his flat since Saturday night. London Bridge is particularly poignant as we used to live there.   On Wednesday we travel to Manchester, another city in defiant mourning.  So terribly sorry for the horrific end to innocent people's lives.

Interior Design, Bay Gallery Home, Made in the UK, My Country, NEWS, WIN Award

Celebrating British Ceramic Tiles in Interiors

Detail of our award winning Bush Onion 1 ceramic wall tile, from an original Australian Aboriginal painting.

Detail of our award winning Bush Onion 1 ceramic wall tile, from an original Australian Aboriginal painting.

The use of Ceramic Tiles in homes and architecture is as ancient as universal and diverse, which is why this April 2017 saw the launch of Britain's first National Tile Week– "a celebration of tiles, aiming to educate consumers on the quality and versatility of tiles and how they can be used throughout the home."

Our award-winning My Country Aboriginal Art Ceramic Wall Tiles are testament to the expertise of the British Ceramic Tile industry, as it is thanks to our collaboration with Johnson Tiles that we were able to successfully reproduce the intricate detailing and vibrant character of this Art for the very first time in design history. 

Our award-winning Emu Dreaming ceramic wall tile from an original Australian Aboriginal painting, samples of which are kept in the Material Lab tile library for public consultation.

Our award-winning Emu Dreaming ceramic wall tile from an original Australian Aboriginal painting, samples of which are kept in the Material Lab tile library for public consultation.

We turned to Johnson Tiles after hearing about their specialist Artile service through the British Museum. Using state of the art techniques, Artile painstakingly reproduces any illustration, drawing or picture onto a tile with no loss of detail or colour.

The quality of the reproduction was especially crucial to this enterprise, given that in Australian Aboriginal Art every dot, line, abstract & figurative representation and choice of colour has special meaning and spiritual importance to the Aboriginal people. This interior collection provides a window into a world that many have still not yet had the privilege to see or encounter.

Johnson Tile were a delight to work with, taking on the challenge with dedication, enthusiasm and sensitivity for the nature of our commission — "we weren’t just recapturing an image but a culture, a history, and all of its folklore and traditions. Implementing traditional lithography techniques combined with our state of the art technology and high-res scanning process, we were able to accurately match every detail and colour of Sarah and Geraldine’s paintings."

The original paintings by the contemporary Australian Aboriginal artists we represent, which Johnson Tiles so successfully reproduced onto ceramic tiles.

The original paintings by the contemporary Australian Aboriginal artists we represent, which Johnson Tiles so successfully reproduced onto ceramic tiles.

Tiles, especially ceramic tiles have as many functional advantages as different styles.  The ancient Greeks were prolific tile users, designing tile motifs inspired by abstracted natural forms, developing stylistic standards that still today serve as reference points. Tiles are foremost durable: tough, water-resistant, heat-reflective and help regulate ambient temperature. Decoratively, the breadth and width of contemporary tile designs make it one of the greatest creative assets in interiors.

Our award-winning Bush Onion 1 ceramic wall tile as a kitchen splash back, adding a subtle element of ochre red & geometry to the clean lines of this contemporary minimalist kitchen design, creating a space with a unique elegance and simplicity.

Our award-winning Bush Onion 1 ceramic wall tile as a kitchen splash back, adding a subtle element of ochre red & geometry to the clean lines of this contemporary minimalist kitchen design, creating a space with a unique elegance and simplicity.

National Tile Week is an initiative of the Devon-based company British Ceramic Tiles, who turned to interior designer Julia Kendell, whose passion for emotionally-connected design inspired her successful TV work on  DIY SOS and 60 Minute Makeover, inspiring her nickname as 'the Nigella of DIY'. Here are some of her tips and advice on working with tiles:

"I’m a huge advocate of tiles as they are virtually indestructible and brilliantly practical in the home. Hygienic and easy to clean, they will take all the knocks that day–to-day life can throw at them, making them a superior surface material. National Tile Week is a great opportunity to focus on and celebrate tiles in all their colourful glory! It’s a great way to inspire creativity and illustrate the many ways they can be used around the home to create beautiful and unique interiors...

Far from limited to just walls and floors, tiles can be used around the home to create colour and textural interest where you might not expect to find it. Try using them to frame an opening through an open-plan area, or to add a pop of colour to alcoves or chimney breasts – you’ll love the way they look! Added to old furniture they’ll give it new life, along with a one-of-a-kind finish you can’t buy in the shops...

Ceramic tiles are hardy, easy to install and need very little upkeep. They’re also available in a wide range of sizes, prints and finishes, making them a good value, versatile option."

Her top-tips blog is a great practical guide if you are thinking of shopping for tiles.

Our Emu Dreaming ceramic tile was the inspiration for this beautiful Cedar of Lebanon coffee table design by The Fine Wooden Article Company, a Gloucestershire-based designer maker workshop that source all their wood sustainably, and wherever possible locally. 

Our Emu Dreaming ceramic tile was the inspiration for this beautiful Cedar of Lebanon coffee table design by The Fine Wooden Article Company, a Gloucestershire-based designer maker workshop that source all their wood sustainably, and wherever possible locally. 

Our award-winning My Country Australian Aboriginal ceramic wall tile collection is available for sale through our website and is also stocked by national suppliers & showrooms such as Eporta.comKew Stone & Tiles Etc. and available to consult in Material Lab's showroom library.

Our award-winning My Country collection of ceramic wall tiles, translations from original paintings by the Australian Aboriginal artists of the Central Desert that we represent in the UK.

Our award-winning My Country collection of ceramic wall tiles, translations from original paintings by the Australian Aboriginal artists of the Central Desert that we represent in the UK.

Art, provenance, Bay Gallery Home

Snake Vine Dreaming, Yanjirlpiri : contemporary uses of traditional iconography

Ngalypi Jukurrpa Yanjirlpiri, Snake Vine Dreaming, by Geraldine Napangardi Granites

Ngalypi Jukurrpa Yanjirlpiri, Snake Vine Dreaming, by Geraldine Napangardi Granites

Our Art gallery seeks to showcase the versatility of the contemporary Australian Aboriginal artists, whose brilliant and diverse work is rooted both in the very real modern-day challenges of their culture & their rich heritage. One of these artists is Geraldine Napangardi Granites, who brings her own dynamic, modern painterly interpretation to a traditional subject matter : the Snake Vine Dreaming, or Ngalyipi Jukurrpa. 

The Snake Vine Dreaming Geraldine paints is associated with a specific country in the Australian Central Desert: Yanjirlpiri, or ‘star’ (known as Mt. Nicker), lying to the west of Yuendumu. In Aboriginal culture, Dreamings have specific ‘kirda’ (owners), and in the kirda of this Dreaming are the Japaljarri/Jungarrayi men & Napaljarri/Nungarrayi women. Geraldine is one such Napaljarri/Nungarrayi artist, the daughter of the celebrated artist Alma Nungarrayi Granites and granddaughter of Paddy Japaljarri Sims (dec) and Bessie Nakamarra Sims (Dec): two of Warlukurlangu Artists Artists Aboriginal Corporation founding artists. Born & bred in Yuendumu, she lives locally with her four children and has developed her artistry by observing her grandfather’s art and that of Judy Napangardi Watson, a Warlpiri artist at the forefront of a move towards more abstract rendering of Dreaming stories.

In Snake Vine Dreaming traditional iconography, sinuous lines represent the Ngalyipi (snake vine), and straight lines represent the witi (ceremonial poles) and karlangu (digging sticks). Geraldine's painting pools from this tradition, whilst giving us a visual representation of how intricately interwoven this plant is in the daily physical & spiritual life of its people, and the profoundly interconnected relationship of the Aboriginal people to Country.

The snake vine, or Ngalyipi [Tinospora smilacina]) is found in the trees and shrubs of sandy spinifex plains and sandhills, this green creeper has many uses in daily life and is of great ceremonial importance. The vine is made up into as a shoulder strap to carry parraja (coolamons) and ngami (water carriers), or exploited for its medicinal uses: as tourniquets, and its leaves and vines are used as bandages for wounds. The Warlpiri people sometimes chew the leaves to treat severe colds, or pound the stems into poultices to cure headaches.

The importance of Yanjirlpiri cannot be overemphasized, as the sons and grandsons of Japaljarri and Jungarrayi men are brought here from as far away as Pitjantjatjara country (to the south), and from Lajamanu (to the north) to be initiated. This witi ceremony is performed at night under the stars, during which Napaljarri and Nungarrayi women will dance but then look away and block their ears when it is time for the men dance. In men’s initiations, Ngalyipi is used to tie the witi (ceremonial poles) to the shins of the dancing initiates, and to tie yukurruyukurru (dancing boards) to dancers’ bodies.

You are always welcome to pay a visit to our Art gallery in Tetbury, Gloucestershire or to browse through its digital counterpart in the ART section of this website.

We regularly post blogs on the provenance of our artwork. If you are interested in learning more about Dreamings, do have a read of our blog The Dream before the Art.

Bay Gallery Home, New Art, provenance

Snapshots of our Art Sourcing Trip in the Australian Central Desert

Detail from a painting we will be bringing back to Bay Gallery Home's Gallery, a fine example of the ever-evolving work of contemporary Australian Aboriginal Artists.

Detail from a painting we will be bringing back to Bay Gallery Home's Gallery, a fine example of the ever-evolving work of contemporary Australian Aboriginal Artists.

On the road to Uluru, after being Fool-uru by Mount Conner...

On the road to Uluru, after being Fool-uru by Mount Conner...

Here's a detail from Australian Aboriginal Street Art in Papunya, by Candy - a dynamic work of Art that feels full of expression and relevance.

Here's a detail from Australian Aboriginal Street Art in Papunya, by Candy - a dynamic work of Art that feels full of expression and relevance.

Mount Conner, also called 'Fool-uru' by locals for so often being mistaken for Uluru..

Mount Conner, also called 'Fool-uru' by locals for so often being mistaken for Uluru..

Some of the rich stylistic variety of contemporary Australian Aboriginal artists, each incarnating the Artist's experience and connection with Country, their land and identity heritage.

Some of the rich stylistic variety of contemporary Australian Aboriginal artists, each incarnating the Artist's experience and connection with Country, their land and identity heritage.

provenance, My Country, NEWS

Our beautiful My Country GREEN wallpaper & Lilly Kemarre Morton's Art : depictions of the Australian bush & botanical landscape after the rains.

Bay Gallery Home's My Country Interior wallpapers, ceramic wall tiles & rugs are a very first in the history of interior design, bringing this beautifully versatile, intricate & joyful aesthetic into interior spaces and decors. 

Bay Gallery Home's My Country Interior wallpapers, ceramic wall tiles & rugs are a very first in the history of interior design, bringing this beautifully versatile, intricate & joyful aesthetic into interior spaces and decors. 

The venerable Artist behind our wallpaper: Lilly Kemarre Morton, proudly holding one of our My Country interiors brochure.

The venerable Artist behind our wallpaper: Lilly Kemarre Morton, proudly holding one of our My Country interiors brochure.

As we continue on our Art - sourcing trip in Australia we have had the opportunity to meet up with the artists involved in our inaugural Interiors collection and share with them the fruits of this collaboration, and its fantastic reception – namely our WIN Award.

It is one of the most rewarding aspects of this enterprise.

Australian Aboriginal Botanical Art Wallpaper Green, reds, yellows, Eucalyptus, Sugar bag trees & dots. Contemporary, ethnic & Arts & Crafts style. Bay Gallery Home, UK.
My Country GREEN wallpaper in its full-scale splendour, bringing Art & a touch of colour into interior space. 

My Country GREEN wallpaper in its full-scale splendour, bringing Art & a touch of colour into interior space. 

provenance, Bay Gallery Home

Painting Australia

Tidal mark, Kings Canyon inside Watarrka National Park, Northern Territory, Australia. 

Tidal mark, Kings Canyon inside Watarrka National Park, Northern Territory, Australia. 

The Australian Aboriginal people are the one of the oldest continuous populations on earth, and their visual language is considered one of the world’s oldest Art forms, spanning over 50,000 years.  The connection to 'Country' is essential. Their tribal Dreamings, creation and mapping myths, rituals and sacred topography inspire bold, beautiful abstract paintings featuring the landscape, plants and animals of Australia's central desert. The Aboriginals see no difference between themselves, the sky, the land and the animals they share it with.  All are one and the same.

Fun times in the studio!

Fun times in the studio!

Bay Gallery Home believes passionately in respecting, supporting and promoting the Aboriginal communities it represents.  Despite a way of life that continues to be endangered, the Australian Aboriginal people continue to exhibit the incredible resilience and adaptation to change that has sustained them over the many millennia they have inhabited Australia.

Yet, they are at a cross road, and the contemporary Art movement now plays a significant role in giving them a voice. The majority of artists Bay Gallery Home represents are hard working, determined women providing themselves with an income to provide for their children. The money generated by the Aboriginal owned corporations creates mobility, educational and work opportunities across the community.  Our artists are remunerated for the purchase of their works, and receive a percentage of any interiors' sale.

Irrepressible creativity: very Arts & Crafts!

Irrepressible creativity: very Arts & Crafts!

Colour gems waiting for the right buyer.

Colour gems waiting for the right buyer.

We have represented artists from the communities of Central Australia since 2008, and are proud to be one of the rare exclusively dedicated Australian Aboriginal Art galleries in the UK. 

Bay Gallery Home's relationship with the Central Australian Aboriginal artists is one of trust, founded on respect for their heritage and contemporary ways of life. In our dealings we have the utmost consideration for the codes of conduct and sensibilities that surround the provenance of this ancient Art & the multi-generational communities that keep the artwork alive & vibrant.

Children Paint Australian Aboriginal Central Desert Art Centre Bay Gallery Home UK.
Australian Aboriginal Children Play Art Centre Central Desert Bay Gallery Home UK
Flower Sketches Art Centre Australian Aboriginal. Bay Gallery Home UK

wallpaper, provenance, My Country, Bay Gallery Home

Land, Artist, Wallpaper.

Australian Ghostgumtree Central Desert open road. My Country.  Bay Gallery Home Sourcing Trip.

Ghostgum tree in the Central Desert -a recurring pictorial motif in our My Country PINK wallpaper.

Our Australian Aboriginal wallpapers bring original Art into your interior spaces in a whole new way.

The inspiration for My Country PINK starts with the Central Desert land – its red dusty earth and sun-burnt grasses, and resplendent amongst it all the ghostly white of the Ghostgum tree with its beautiful gleaming bark & sculptural presence. Observing its solitary presence in this arid landscape, it is not hard to see why artist Ngwarraye paints it so distinctively, and why it is so engaging as a recurring pictorial motif in our My Country PINK wallpaper.

In our design process, we take every pains to produce excellent wallpapers, taking account of scale and pattern repeats and colour dynamics so that in the translation between original painting & interior design product we keep the spirit of the artwork alive and present you with exquisitely beautiful products that will bring character & joy to your interior spaces.

Alana Ngwarraye, the wonderful artist behind the original artwork for My Country PINK.

Alana Ngwarraye, the wonderful artist behind the original artwork for My Country PINK.

Detail of My Country PINK, by Alana Ngwarraye for Bay Gallery Home.

Detail of My Country PINK, by Alana Ngwarraye for Bay Gallery Home.

provenance

The colours of Australia

Detail of local flora from a vibrant painting by Colleen Ngwarraye Morton, 'Women's Ceremony and Bush Medicine' – sold through our ART page & in our Tetbury gallery.

Detail of local flora from a vibrant painting by Colleen Ngwarraye Morton, 'Women's Ceremony and Bush Medicine' – sold through our ART page & in our Tetbury gallery.

 

“I feel with my body. Feeling all these trees, all this country. When this blow you can feel it. Same for country... you feel it, you can look, but feeling... that make you.”

– Big Bill Neidjie, Gagudju Elder, Kakadu.

 

The origins of our art gallery, and now our art-driven interiors collection, is a long-standing personal and professional connection with Central Desert artists. Theirs is an arid land with extensive dry seasons, which is the birthplace of what is sometimes called 'Aboriginal desert painting,' at the forefront of the contemporary Aboriginal art movement.

 

"The chief function of colour should be to serve expression as well as possible."

Henri Matisse, from "Notes of a Painter"

 

Within the indigenous Australian cultures and traditions, the artist holds a sacred individual freedom to engage with their own Dreamtime and connection with country, to express a facet of life through a personal choice of brushstroke and form and colour – all the while anchored within the inherited horizon of a collective dream. The use of colours in the contemporary aboriginal art paintings reflect not only the Australian landscape but the world of their imagination, which encompasses past, present and future.

Another detail of local flora from a vibrant painting by Colleen Ngwarraye Morton, 'Women's Ceremony and Bush Medicine' – sold through our ART page & in our Tetbury gallery.

Another detail of local flora from a vibrant painting by Colleen Ngwarraye Morton, 'Women's Ceremony and Bush Medicine' – sold through our ART page & in our Tetbury gallery.

 

Alice Springs lies at the heart of this region, between the dramatic MacDonnell Ranges and the Todd River. It has historically been a place "crucial to the development of art and as a meeting place, place of exchange and part-time residence for people from the hundreds of Aboriginal communities throughout the central, northern, southern and western regions."* The resilient spirit of its communities, the role they play in political & cultural movements remains very much alive, notably with the iconic annual Desert Mob Art fair.

Throughout, the work of the indigenous artists we represent is a reflection of their personal engagement with a historical and deep spiritual affinity to the land, which they tell and re-tell through art to old and new audiences, layering creation myth upon botanical record, wisdom upon experience, colour upon colour.

Intrepid Alexandra on her current sourcing trip, criss-crossing the Australian Central Desert...

Intrepid Alexandra on her current sourcing trip, criss-crossing the Australian Central Desert...

*quote from McCulloch's very excellent Contemporary Aboriginal Art: The Complete Guide.

NEWS, provenance

The dynamic contemporary Australian Aboriginal Art scene

Bay Gallery Home's art dealer Alexandra updates us on her sourcing trip in Australia (whilst here in drizzly March England we can only dream of such sunny colours)...

Michael Nelson Jagamara: Lightning Strikes at Merricks! Michael Nelson Jagamara’s dynamic new sculpture series Lightning Strikes are fabricated in stainless steel, bronze or polyurethane with 2 pac paints in a range of colours. His work is part of the 'Weather Patterns' exhibition currently showing at Fireworks Gallery, Brisbane, until 13th April 2017.

Michael Nelson Jagamara: Lightning Strikes at Merricks! Michael Nelson Jagamara’s dynamic new sculpture series Lightning Strikes are fabricated in stainless steel, bronze or polyurethane with 2 pac paints in a range of colours. His work is part of the 'Weather Patterns' exhibition currently showing at Fireworks Gallery, Brisbane, until 13th April 2017.

 

"Yesterday I went to Fortitude Valley in Brisbane to meet gallerists Mike Mitchell of Mitchell Fine Art and Michael Eather of Fireworks Gallery, both Aboriginal Art specialists.

They’ve been in the industry for decades so it was a pleasure to meet them both and see their current exhibitions.

“Weather Patterns II", at Fireworks Gallery, features the work of Matthew Johnson, Rosella Namok and a personal favourite of mine Michael Nelson Jagamara, for whom I had the privilege of doing a sell-out show early on in my career.

Weather Patterns II, featuring the work of Matthew Johnson, Rosella Namok and Michael Nelson Jagamara (featured above), showing at Fireworks Gallery, Brisbane, until 13th April 2017.

Weather Patterns II, featuring the work of Matthew Johnson, Rosella Namok and Michael Nelson Jagamara (featured above), showing at Fireworks Gallery, Brisbane, until 13th April 2017.

 ‘Monochrome’, at Mitchell Fine Art  features the work of hugely talented desert artists such as Dorothy Napangardi, who recently exhibited in the 2015 'Australia' show at the Royal Academy.

Abby Loy Kemarre, Bush Leaves - part of the 'Monochrome' exhibition at Mitchell Fine Art, until 1st April 2017.

Abby Loy Kemarre, Bush Leaves - part of the 'Monochrome' exhibition at Mitchell Fine Art, until 1st April 2017.

If you missed it, the substantial 'Australia' exhibition at the Royal Academy investigated the social and cultural evolution of Australia through its art, from 1800 to the present day. The past two hundred years have seen rapid and intense change, from the colonisation on an indigenous people to the pioneering nation building efforts of the 19th century and the steady urbanisation of the last 100 years.

The exhibition drew on some of Australia's most significant public collections, showcasing the breadth of the landscape and its diverse people through early and contemporary Aboriginal art as well as the work of early colonial settlers & immigrant artists, and some of today’s most established Australian artists.

Here's an more in-depth video of the exhibition, for those with a keen interest!

NEWS, My Country

Historic Hicks&Weatherburn now stock our My Country wallpapers.

A vibrant collage of our My Country wallpapers, translations of authentic Australian Aboriginal artworks, made in the UK.

A vibrant collage of our My Country wallpapers, translations of authentic Australian Aboriginal artworks, made in the UK.

Our My Country Australian Aboriginal wallpapers from original artwork is now stocked by the historic Hicks & Weathernburn.

Established in 1741 in Yorkshire, they are the oldest paint manufacturing company in Leeds, and have expanded into interiors, expanding their expertise on colours and bespoke client service. 

Here is what they have to say:

"We are delighted to be stocking a unique range of wallpaper alongside our premium interior paints designed by Aboriginal artists in Australia’s Northern territory.

A chance meeting with Alexandra O’Brien at Bay Gallery in Tetbury during a recent trip down South led to the collaboration and we are proud to be supporting her work.

Bay Gallery has been working with artists from Aboriginal communities since 2008 and is the only dedicated Aboriginal gallery in the UK.

In collaboration with British manufacturers, some of the designs created in Australia have now been transformed into a striking and stylish collection of interiors products, including the My Country range of wallpaper.

The artists behind these designs take their inspiration from the land, family and nature. This rural theme fits perfectly with our own colour range which is inspired by the Yorkshire countryside.

We will now be selling Bay Gallery’s wallpaper range alongside our paints and would be happy to suggest the best colour combinations to use with them in your interior design scheme.

The artists are remunerated for the original purchase of artwork, and receive a percentage of interiors sales. This is an important source of income for these communities and helps towards mobility, educational and work opportunities.

The original approach came from the Aboriginal communities themselves which means our customers can be confidence that stock is ethically sourced and authentically certified."

NEWS, provenance, My Country, New Art

Art Sourcing Trip to Central Australia

As Spring finds its way back to England, we at Bay Gallery Home are getting ready for a sourcing trip into Australia's remote Central Desert region.

Bay Gallery Home Australian Aboriginal Art Central Desert UK Gallery

Bay Gallery Home's origins are intimately connected with this country, initiated when one of the Northern Territory communities approached founder Alexandra to represent them in the UK. The seeds of Alexandra's relationship with these artists can be traced back to the roots of her family's own connection with Australia, when a French ancestor arrived in Australia in the 1880's. From being early collectors of Aboriginal artefacts to working on Aboriginal accounts and nursing their communities, successive generations have maintained an association with these communities. Bay Gallery Home's relationship with the Central Australian Aboriginal artists is one of trust, founded on respect for their heritage and contemporary way of life. 

Bay Gallery Home Australian Aboriginal Art UK Central Desert

A sourcing trip is an adventure in itself, full of dust and heat and a challenge to the best laid plans of mice and men – yet replete with treasure. Our month-long journey will start from Alice Springs, moving across the Northern Territory into the APY lands, visiting Uluru, Kings Canyon and our Aboriginal communities, including Papunya Tula – the birthplace of the contemporary art movement.  We will then head up through the Northern Territory, crossing into Western Australia where we will make our first stop at Halls Creek, after 19 hours driving on dirt roads. After staying here for a few days, it will be time to head out again towards Kununurra, where we’ll be sourcing some Kimberly artwork. These artists notably still work with natural ochres, and have a completely different style to that of the communities we currently represent.

Detail from a Water Dreaming by Shorty Jangala Robertson, a famed colour-field abstractionist. The original is available to buy through our ART gallery.

Detail from a Water Dreaming by Shorty Jangala Robertson, a famed colour-field abstractionist. The original is available to buy through our ART gallery.

An important part of a sourcing trip is taking the time to meet with the artists, to understand the evolution of their art and re-establish relationships. Alexandra's young children will be travelling with her and are really looking forward to meeting and playing with the Aboriginal children.  Language is no barrier to the young, it’s bound to be a moving experience watching them contemplate each other for the first time.

Bay Gallery Home Australian Aboriginal Art Artists UK

We will be open for business as usual, and will be updating you all on our epopees via Instagram and this website.

NEWS, My Country, Musée du Quai Branly, provenance

Working with the Musée du Quai Branly

In an exciting collaboration with Le Musée du Quai Branly, Paris, Bay Gallery presents a limited range of Australian Aboriginal art stationary from our My Country wallpapers.

The Musée du Quai Branly houses the art and artefacts of indigenous cultures, with an Australian Aboriginal collection in its Oceana Section. It most notably holds the largest international commission of contemporary Indigenous art from Australia. In 2013, with the aim of integrating non-European art into the architectural concept of the building, architect Jean Nouvel commissioned a series of contemporary Aboriginal art installations to be painted on the ceilings, roof and façade of the building on Rue de l’Université.  Eight artists were called upon: four women (Lena Nyadbi, Judy Watson, Gulumbu Yunupingu, Ningura Napurrula) and four men (John Mawurndjul, Paddy Nyunkuny Bedford, Michael Riley, Tommy Watson), each originating from different communities and cultures, reflecting the art of the territories and urban art.

Dayiwul Lirlmim (Baramundi Scales) by Lena Nyadbi, on the roof of the Musée du Quai Branly.  Photo: Rooftop Art Adaptation, Musée du quai Branly, 2013. © musée du quai Branly, photo: Cyril Zannettacci

Dayiwul Lirlmim (Baramundi Scales) by Lena Nyadbi, on the roof of the Musée du Quai Branly. 

Photo: Rooftop Art Adaptation, Musée du quai Branly, 2013. © musée du quai Branly, photo: Cyril Zannettacci

It is against this historical backdrop of interest and investment in the Australian Aboriginal art movement that buyers from Arteum came across our My Country collection at LDF, commissioning us to supply their museum shop with My Country wallpaper-covered stationary.  

We now have a limited edition of My Country post books and notebooks available for sale on our Homeware & Accessories page.

 

And for those with a further interest in the intersection of Australian Aboriginal Art and Architecture, here is a short video documenting the Quai Branly project:

NEWS, My Country

Bay Gallery Home Aboriginal Tiles in Hospitality Design

HOTEL MANAGEMENT MAGAZINE ENDORSES OUR BEAUTIFUL AUSTRALIAN ABORIGINAL CERAMIC WALL TILES AS A DESIGN TREND FOR HOSPITALITY INTERIORS.

Hotel Management featured our My Country ceramic wall tiles in its review of design trends for public interior space design.

Hotel Management featured our My Country ceramic wall tiles in its review of design trends for public interior space design.

As expertly crafted translations of original Australian Aboriginal art work, our My Country ceramic wall tiles were created in collaboration with the expertise of Johnson Tiles 's Artiles service.

One of the three interiors surfaces ranges (wallpapers, rugs and ceramic wall tiles), the collection is entitled My Country, a reference to the Aboriginal philosophy and creative process, whereby all of creation is in relationship, at onewiththeland.  The original artworks'  particular provenance and symbols - inspired by mapping myths, rituals and sacred topography - results in a compelling, versatile aesthetic with a most subtle compositional depthof field, imbuing spaces with wider horizons of the imagination.

Featuring art by Aboriginal artists Geraldine Nangala Gallagher and Sarah Napurrula White, both from Yuendumu in Australia’s Northern Territory, My Country marks the first time that this aesthetic has been reproduced onto ceramic tiles. Each image and colour holds special meaning and spiritual importance to the Aboriginal people and culture.

Johnson Tiles used traditional lithography techniques combined with high-res scanning process to accurately match every detail and color of the artists’ paintings.

The beauty and quality of our tiles reflect their origins of indigenous creative process and high-quality materials and manufacturing skill.